• Migratory Memory

    洄游记忆

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    追光

    摄影,艺术微喷,160x120cm,2022

    用舞台的追光灯照亮一片厂房的屋顶。这些厂房有的已经破败闲置,有的还在生产,都是中国早期制造业遗留下来的建筑。当我们在高处凝视的时候,就像在看一个已经布景几十年的舞台,有不同的角色在此轮番上演。

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    Follow the light

    Photography, giclee print,160x120cm,2022

    Use the stage spotlight to illuminate the roof of a factory building.Some of these plants are dilapidated and idle, and some are still inproduction. They are all buildings left over from China's earlymanufacturing industry. When we gaze at it from a high place, it islike watching a stage that has been set for decades, and differentroles are staged here in turn.

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    离散大陆

    这组摄影用航拍的方式,拍摄了珠三角地区的各处河道,通过后期处理将两岸的陆地分隔得比实际距离要宽很多倍,呈现陆地

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    DiscreteContinent

    Photography ,UV printing, pure aluminum plate, variable size , 2021
    This set of photographs uses aerial photography tocapture various rivers in the Pearl River Delta region, and through
    post-processing separates the land on both sides of the river many times wider
    than the actual distance, presenting the fact that the land is cut by the river.
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    椅子的颤抖

    机械互动装置,木制椅子,金属箱,控制电路,45x45x170cm ,2021

    在珠江流域常年航行的船长驾驶椅,被放置在一个带有弹簧的金属底座上,当观众靠近时,椅子会震动,如同常见的载人渡轮的马达震动。

    The Shaking ofthe Chair

    Mechanical interactive installation,Wooden chair,metal box, control circuit, 45x45x170cm , 2021

    An old wooden chair was placed on a metal base withsprings. When people approached, the chair began to vibrate violently. This
    chair had been sitting under the bottom of the captain all the year round,
    shaking with the vibration of the cockpitmotor.
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    浮船

    影像与图片装置,老船木UV打印,影像,4K,8分47秒,尺寸可变,2021

    在珠江的各条河道上,通过航拍获取大量船只的图像,UV打印到已退役且被拆解的老船木上,再放回河流中随水漂流。船只的图像通过老船木重新获得了现实空间中的漂流体验。

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    Pontoon boat

    Photography ,UV printing, pure aluminum plate, variable size , 2021

    In the various channels of the Pearl River, a largenumber of images of boats were acquired through aerial photography, UV printed onto old, decommissioned and dismantled boat logs, and then released back into
    the river to drift with the water. The images of the boats are re-acquired through the old wooden boats to experience drifting in the real space.

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    剥落

    摄影,艺术微喷,160x120cm2022
    跟踪拍摄珠江沿岸曾经的国营工厂老职工,挖掘记录具体个体对国营日常的光景回忆,再将这些视频投影到已废弃的原厂建筑内部,用这些视频的光去照亮空间的各个角落,并以多重曝光的形式呈现在一张摄影中。

    Spalling

    Photography, giclee print,160x120cm,2022

    Tracking and filming the old workers of the formerstate-run factories along the Pearl River, digging and recording the light
    memories of specific individuals on the daily life of the state-run factories,
    and then projecting these videos into the interior of the abandoned original
    factory buildings, using the light from these videos to illuminate the corners
    of the space and presenting them in a single photograph with multiple exposures.

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    被风吹起的船长

    双屏影像装置,4k,有声,103+646, 2021
    由两个屏幕组成的影像装置,上下分别固定在一根树立的杆子上。其中一个屏幕上,年过60的船长在河流上的各个地点,主动将肉身模拟成一面旗帜,迎风而起。另一个屏幕上,“人体旗帜”的船长高高挂在一个旗杆上,被风吹起。


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    The Captain Blowed by the Wind

    Dual-screen video installation, 4k, sound,
    1min 03sec+6min 46sec, 202
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    This is a video installation consisting of twoscreens, fixed above and below on an erected pole. On one of the screens, thecaptain, who is over 60 years of age, is shown at various points on the river,
    actively modelling his body as a flag, which is raised against the wind. On th
    e
    other screen, the "human flag" of the captain hangs high on
    a flagpole, blown